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Febal tables and chairs are manufactured with great attention to quality, functionality, and design. You can choose from a wide range of materials, all finished to the highest standards of good workmanship. The tables and chairs of the Innovation line were designed for inclusion in every model of modern kitchen: those of the Tradition line are dedicated to their corresponding models. Also in the latter case, however, you can choose different combinations.
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... see all the products in the category
Bar chairs
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This famous chair, which is narrow and tall, was conceived by Mackintosh, more for decorative intentions than purely for function. It was destined, along with its twin, to the bedroom of the "Hill" house near Glasgow in Helensburgh, which the architect designed in 1902 and that belonged to publisher Walter W. Blackie. The two chairs, in black ebanized wood are still there and maintain their original effect, standing out against completely bare walls.
The "Hill House" is considered as a fundamental work of Mackintosh because it shows the extraordinary vision, talent and leadership of the master who - far from outmoded art noveau style - expressed himself through new severe and stylized lines, in a functionalist search which - years later - would possess the fervid minds of the Bauhaus. |
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VICTORIA
This collection in manufactured from aluminium tubing and profiles and painted with powdered polyester paint. The Huglon fabric cushions have completely removable covers. The decorative balls for this collection may be printed, in polished brass or gold plated (with supplement to ask for). The tables are available in screen-printed and painted glass. |
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Chaise Width: 33
Depth: 71
Height: 37 |
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Ref. LFM1796
7 kg
Multi-position, folding recliner.
closed
97x68x16 cm
open
114x68x87 cm
HLE (high elastic limit) tubular steel frame, 20 mm in diameter. Canvas suspended
by partially replaceable elastic lacing. Adjustable and removable padded
headrest.
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Ref. LFM1636
MULTI-POSITION, FOLDING RECLINER
Weight: 7,550 kg
Closed: 96x68x15 cm
Open: 115x68x88 cm
HLE (high elastic limit) tubular steel frame, 20 mm diameter.
Canvas suspended by replaceable elastic lacing.
Adjustable and removable ergonomic headrest.
3 cm foam mattress.
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Ref. LFM1848
3,900 kg
Large chaise longue
closed
124x62x4,7 cm
open
83x62x94 cm .
3 positions. HLE (high elastic limit) lacquered steel
frame, 22 mm in diameter. Integral folding. Locked in
position by safety rack system. Adjustable and removable,
padded headrest cushion.
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Ref. LFM3001
7,800 kg
Multi-position, folding recliner.
closed
96x71x17,5 cm
open
83x71x113 cm
HLE (high elastic limit) lacquered steel frame, 20 mm in diameter. Canvas suspended by replacable
elastic lacing. Padded armrests with padded inserts matching the mattress. Adjustable and
removable, padded headrest cushion.
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Ref. LFM1842
3,120 kg
Chaise longue.
closed
124x56x4,5 cm
open
94x56x83 cm
3 positions. HLE (high elastic limit) tubular steel frame,
20 mm in diameter. Integral folding. Locked in position
by safety rack system.
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Ref. LFM1858
7,700 kg
Multi-position, folding recliner.
closed
92x67x20 cm
open
85x116x67 cm
Lacquered, aluminium (seat) and H.L.E. steel (base)
frame. Removable canvas suspended by elastic laces
(Lafuma exclusive patent). Solid wood armrests. Padded
headrest.
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Ref. LFM1860
7,700 kg
Multi-position, folding recliner.
closed
92x67x20 cm
open
85x116x67 cm
Lacquered, aluminium (seat) and H.L.E. steel (base)
frame. Removable canvas suspended by elastic laces
(Lafuma exclusive patent). Solid wood armrests. Padded
headrest.
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Ref. LFM1722
7,800 kg
Sunbed or extra bed with 3 feet.
closed
91,5x72,5x15 cm
open
207x72,5x44,5 cm
4-position adjustable headrest. HLE (high elastic limit) tubular steel frame, 20 mm in diameter.
Anti-pinching and anti-shock joints. Safety rack-adjustment system. Elastic suspension.
Adjustable, removable padded headrest (for SIESTA LUXE only).
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Ref. LFM1434
8,950kg
Multi-position, folding recliner
closed
106x73x22cm
open
125x73x90 cm .
HLE (high elastic limit) tubular steel frame, 20 mm in diameter. Canvas suspended by replaceable elastic lacing. Adjustable and removable ergonomic headrest.
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Ref. LFM1063
closed
123x58x8,5 cm
open
102x58x72 cm Chaise longue 5 kg.
2-position adjustment using armrests. HLE (high elastic
limit) tubular steel diameter 25 mm. Integral folding.
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Ref. LFM2031
9,100 kg
Multi-position, folding recliner.
closed
106x73x22 cm
open
125x73x90 cm
HLE (high elastic limit) tubular steel frame, 20 mm in diameter. Canvas suspended by replaceable elastic lacing. Adjustable and removable ergonomic headrest.
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Bimini Double Chaise
K801CHS
Soleil
Loose welted cushions, Mahogany frame, 5 standard finishes
Available in:
50,000 Graded Fabrics
Also available:
Sectionals, Chairs, Wood Chairs and Tables |
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6110
Chauffeuse
H 84 - L 60
PA 48 - PHT 75
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Beechwood frame and feet, glued, screwed and dowelled. Stretch belts seat and back. Fully upholstered.
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6110
Chauffeuse
H 84 - L 60
PA 48 - PHT 75
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Beechwood frame and feet, glued, screwed and dowelled. Stretch belts seat and back. Fully upholstered.
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Designed by Le Corbusier with Pierre Jeanneret and Charlotte Perriand, the "chaise longue à réglage continu" - also known asB306 - was presented at the "Salone d'Automne" in Paris in 1929 as part of the "Equipement interieur d'une habitation (Interior equipment of a room)".
Certainly, the most famous classic of the "Le Corbusier group," is constituted by two independent elements: the base and the cradle (seat or rest). The cradle - the form follows the curve of the human body - appears to move on its base and it can slide without any mechanisms, with a continual gliding that allows for any angle and it remains stable thanks to the friction of steel and the rubber covering the crosspieces of the base.
Le Corbusier defined it as the "true resting machine" and mentioned having thought of a cowboy while designing, smoking his pipe, sitting with his feet up, supported on the edge of the fireplace. |
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The "Lounge Chair" ("and Ottoman", 1955) is the only Eames model which deliberately acquiesces to the world of luxury and opulence. Above all, it represents a decisive contribution to the modern design of the '50s, which, freed of the austere geometric forms of the '20s, moved towards more sculpted and organic shapes.
Eames wanted to design a comfortable yet simple armchair, whose frame and upholstery are fused like two hands crossed together. This is the explanation he gave his wife, or at least that's how the story goes. The result fully respects his intentions: the armchair appears to wrap itself around the body like a glove, allowing the user to sink in slowly, just the way Eames intended it. Without in any way minimizing its innovative aspects regarding materials: multi-layered curved rosewood for the three wooden "frames," pressure-cast aluminium (painted black and polished in the upper section) for the five-spoked base.
Permanently on display at MoMA in New York. |
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