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Structure: solid wood, veneered frame.
Seat springing: criss-crossed elastic straps.
Fillings: removable seat cushions in feather mix with core in 35 Kg/m³ density polyurethane foam, covered with cotton cloth; removable backrest cushions in feather mix with core in 16 Kg/m³ polyurethane foam, covered with cotton cloth.
Feet: in stained beech wood.
Optional: feather armrest cushion.
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Structure: solid wood, veneered frame.
Seat springing: criss-crossed elastic straps.
Fillings: removable seat cushions in 35 Kg/m³ density polyurethane foam, covered with polyester fibre; fixed backrest cushions in 18/22 Kg/m³ density polyurethane foam, covered with polyester fibre and with electric back movement system.
Optional: feather armrest cushion.
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Structure: solid wood, veneered frame.
Seat springing: criss-crossed elastic straps.
Fillings: seat cushions in 35 Kg/m³ density polyurethane foam, overlaid with a feather mix mat and covered with cotton cloth; backrest cushions in 25 Kg/m³ density polyurethane foam, overlaid with a feather mix mat and covered with cotton cloth.
Feet: in stained beech wood.
Sofa bed mechanism: LAMPOLET series, opened out by swivelling the backrest and then unfolding. Conversion to a bed is achieved by a single movement, without having to remove the seat and backrest cushions. Solid and comfortable, with its 200 cm, electro-welded orthopaedic base, it is suitable for sofa beds for daily use.
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It is not a sofa. Nor is it a sofa group. And it is certainly not a neatly arranged row of armchairs. What it is is a matchless seating environment that calls to mind the great masterpieces of landscape gardening. Or a perfectly fashioned town en miniature. In his inner eye, Hugo de Ruiter envisaged an unending play of possible additions and variations when he put his concept for the DS-165 down on paper. The result is a new design for contemporary society in its ever-growing quest for the structures of security in the midst of the breakneck change of information technology. The adjustable backrests enable new seating positions to be achieved at will. And thanks to the arrangement of rectangular seating elements, the sofa can develop to fit every living area as if it were a growing organism. You can turn through 360 degrees on Hugo de Ruiter's sofa - with the armrests following on smoothly as required. It heralds in a rediscovery of the pleasure of adapting life to one's prevailing mood. The DS-165 represents an optimistic start into the 21st century and is predestined to become a cult object in the future.
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Modern and minimalist blocks in monochromatic color. The Aidyn sofa is distinctive and adds a vitality and drama to a space. The backrests have sharp rectangular cushions which give a controlled yet comfortable feel. We provide many fabric and upholstery alternatives for simple ways to customize this chair to your liking.
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This latest creation for de Sede by Italian designer Antonella Scarpitta is based on a lounge concept. She has designed a cubic sofa that is strictly reduced to the essentials. This transforms her new model into a timeless object for practical use as well as for decoration. Elegant lines, unparalleled seating comfort and a modular concept that makes for a wealth of potential applications are further attractive features of this outstanding sofa. In addition to its clean-cut form, this design also appeals thanks to its interesting, concealed function: the low rear-sections that are so typical for lounging can be folded upwards if required to provide comfortable back support - for instance, for reading. This unmistakable programme consists of three different sofas, five stools and four supplementary units which make it possible to create a wealth of different combinations - such as corner groups.
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The clear-cut design concept behind the DS-159 modular system is a masterstroke of creative upholstery. Both seat and back section are generously tufted with leather buttons and piping. The unassuming straight-edged lines of the chair - which is available with or without arms - and the stool form the basis for the various seating combinations and sofa systems that can be put together as required using the individual elements measuring 80 x 80 cm. There are both couch and integrated tables to match, which fit harmoniously with seating ensembles and make an interesting addition to any living environment. The modules can be combined easily to form a stable unit.
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Two simple flicks of the wrist transform the DS 450 easily from sofa to double armchair or love-seat for relaxing together. Invitingly casual upholstery ending at the sides in fold-up armrests is decorated on the upper surface with handsewn leather edging that looks like genuine piping. This gives the model a precision of contour that contrasts so tellingly with the irresistible softness of the upholstery. This feature is continued in the design of the individual, adjustable back sections giving these, with their subtly sculpted headrests, the appearance of exquisite buoyant matting.
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As a result in 1958 the designer association SWISS DESIGN came into being, founded by the Swiss gentlemen Hans Eichenberger, Robert and Peter Haussmann, Theo Jakob and Kurt Thut - who, like the Bauhaus artists, were both architects and designers. Their aim: designs in metal furniture suitable for large-scale production. In 1999, de Sede took over manufacture and marketing of the stimulating design created by SWISS DESIGN.
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Milanese designer Antonella Scarpitta has set a new feminine course within the de Sede collection with her DS-640. The rearward sweeping side sections embrace the back upholstery and its cosily deep seating, imbuing it with an unparalleled elegance and making virtually every sitting and reclining position an absolute joy. With its loose cushions, the sofa is an unrefusable invitation to sit and lounge and revel in such outstanding comfort.
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Clad sumptuously in de Sede’s finest NECK leather, the DS-820 is yet further proof of the company’s consummate leather-working craftsmanship. It takes no fewer than four to five large hides to cover this remarkable sofa. A single seam divides the seat and back rest along the centre. The commodious lines of the armrests spring from the ingenious way in which the leather is draped. This exceptional method of cutting and folding is necessary since sewing NECK leather - which can be as much as half a centimetre in thickness - is only possible in certain places. This is yet another reason why only the very finest hides can be used for this striking quality of leather with its warm and supple appeal. Despite the use of this impressive covering material with its marked pattern of natural creasing, the classically elegant DS-820 retains all the unmistakable seating comfort for which de Sede is famous, making it an absolute delight for sitting, lying and reclining.
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Børge Mogensen designed this sofa in 1962 for his home in Gentofte north of Copenhagen, where it still stands, placed between the two tables that dictated the measurements of the sofa. The simplicity and clean lines have since made the sofa one of the most recognised Mogensen pieces, still used widely today in government buildings, embassies, executive offices and private homes the world over.
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This firm upholstered sofa was designed in 1946. The distinctive, sculptural bowl shape with arms and backrest of uniform height was inspired by Børge Mogensen’s own spoke-back sofa. Designed in 1945 for the autumn exhibition of the Copenhagen Cabinetmakers’ Guild, it later enjoyed widespread popularity. Further refinement produced the timeless appearance and clearly defined stringency of the sofa. The sofa comes in leather and fabric.
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An elegant high-backed leather sofa designed in 1971. Mogensen wanted to design a sofa for peaceful relaxation in front of the fireplace. He was inspired by the distinctive lines of the British ‘hall porter’s chair’ – a classic wing-style chair specially designed to capture heat from the open fireplaces typical of the cold housing of the past. In Danish, the popular term for this model is a ‘compartment sofa’ because it fits snugly round its occupant like the comfortable seats in a first-class train compartment. The sofa is available in two- and three-seater versions as well as a double two-seater version that seats four people.
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Three seats sofà, chrome-plated steel frame and leather covering. (H68 -L180 - P70). Available in different colours.
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- Three seats sofà, chromed frame leather covering, with two arms.
- Two seats sofà, chromed frame leather coovering, with one arm.
- Armchair, chromed frame, leather covering.
- Table with chromed frame, painted glass white.
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The Dakota Sofa Set This collection provides perfect ample seating - simple, modern, and most of all - comfortable. Elegantly designed and expertly detailed, this sofa is everything you're looking for. We provide many fabric and upholstery alternatives for simple ways to customize this sofa to your liking. Pricing depends on size and fabric. Legs can be ordered in acrylic, wood or metal. Prices may vary depending upon other components. Shown here in Leather.
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Purity of forms and elegance. The Eos project is characterised by the abruptly cut-off arm that allows the individual elements of the collection to be coupled side by side, according to the user's free interpretation. The feet and bases are in polished or satin-finished painted aluminium. Upholstery is available either in Pelle Frau® leather from the Color System range or in Heritage leather. The stitching enhances the profile and enriches the upholstery.
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A personality that stands out from the crowd. International elegance. Dynamic and wide-ranging lines. A modular sofa with an infinite number of combinations. The different elements allow the free creation of curving lines and open perspectives. The swivel armchair completes the range and opens up new design perspectives. The light and modern quilting of the back and cushions reveals Poltrona Frau s age-old artisanal skills. The delicate X motif, hand-sewn with grey thread on black or white leather upholstery, and with beige thread on all the other colour variations. The frame is in seasoned beech wood, with polyurethane foam and dacron for comfortable padding of the back, armrests and cushions. The feet are in steel with gunmetal finish.
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Frame made of pine wood.
First quality, guaranteed straps for seats.
Foam with 33kg for seats, first quality fibre-filled.
Foam with density 22kg H.R. for back, first quality fibre-filled.
Back and seat cushions are fixed.
Height-adjustable headpiece mechanism through hydraulic piston.
Arm are detachable.
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KISS
Quality, Comfort, Design...
Our values we want to share with you. For four generations, Casa Nova has been one of the most appreciated high-end leather manufacturers by thousands of customers throughout the world.
Confort & Design
Shapes definitely contemporary, lighter, more fluid, and softer, in a "traditional" design more Italian and more international. Proportions must be perfect and comfort must be respected despite the constraints of balance bound with this type of design.
We use more technical materials - combination feather-fiber in the cushioning, multiple wood and metal for the frame, which must be visually lighter while respecting the constraints of resistance.
We recommend the use of supple materials with a sensual feel to the touch, such as aniline leather, semi-aniline, nubucked, and like leather with a wax finish.
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