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The supporting frame is in solid wood, multilayer and agglomerate wood. The padding is made of C.F.C. - free non-deformable polyurethane foam in differentiated density and fibre 100% polyester. Completely removable covers.
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Armchair with wooden frame, leather, fabric or ecoleather covering.
In the picture there are also the Thok pouf in solid wood structure 33x33
Height 45/77
Depth 84
Width 80
Design Made in Italy
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The DS -166 from Hugo de Ruiter can justifiably lay claim to being unique and unrepeatable. The original idea was based on an artistic principle, yet without neglect of functionality. The outer form of the armchair has all the quality of a sculpture thanks to its upward tapering lines. This in turn results not from a mere whim of the designer or from the proverbial wet finger held aloft to see which way the wind is blowing. To the contrary: it is the palpable consequence of the inherent laws of ergonomics. What Hugo de Ruiter is attempting to do with the DS-166 is to express the idea of comfort and security through the swell of the armchair#s lines. And it is a security that anyone sitting in the DS-166 feels most profoundly. In figurative terms, his design blends the concepts of guarding and cosseting. The armchair#s swivel-tilt mechanism additionally helps underpin a sense of the lightness of being. In the DS-166, the grande geste of design becomes a harbinger of comfort, while the reduction of its lines imbues this seating with a peerless richness.
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Supporting varnished metal frame articulated in the middle, to knacked support the seat articulator of pages hinged on the same frame. The padding is in C.F.C.- free non - deformable polyurethane foam and 100% polyester fibre. This is an armchair that can be turned over and each page corresponds to a seat position.
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This piece represents the earliest developments of our bent laminated furniture. The entire seat pivots at the front and can be adjusted by means of a leather strap. All of the joinery is exposed and shows the mechanical, wedged construction of the Maple frame.
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When we began experimenting with seats made with bent-laminated slats, the goal was to get as close to the comfort of upholstery as we could using solid woods. The individual laminations bend with the weight of the body, easing stress on spine and shoulder blades. We've also worked to develop a lumbar support that is almost universally comfortable. The chair seat pivots at the front, and movable steel pins in the legs allow the seat to be positioned at different reclining angles. The back is high enough for even the tallest of my friends to rest their head.
This design is about more than seeking comfort though. It reflects a long held interest in the skeletal nature of structures, like bridges and timber-frame houses. Beside our heavier designs, we will continue to engineer pieces that are stripped to a minimum of materials: chairs built with individual "sticks" of uniform dimension, carefully joined to create a rigid frame.
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High quality leather armchair. Wooden structure and high tecnology resins for a mix of absolute comfort and innovative design.
Great scenographic impact!
Luxus: Italian Idea! Italian Design! Italian Production!
Luxus by I'KI Art&Design
Sara Pivato design
_ design registered _
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The chair and armchair are designed to have multiple functions the chair becomes a stool with a side shelf, the armchair provides storage room for magazines and, with a simple rotation, becomes a small desK
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star trek
armchair made in solid American cherry-wood or American wal-
nut, seat and head-rest in upholstered curved plywood.
W 65 – D 61 – H 39/109
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Plural is a sofa with the marked drawing offering however the characteristics of a traditional comfort (height of sat of 38 cm, high file and marrowy comfort). The sofas have a round form which confers an undeniable personality to them.
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W26.25 x D31.75 x H30– Seat D20.25
Walnut Veneer on solid Maple
Available wood finishes:
Ebony, Brown or White Oak Cérusé
Brown or Ebony Grain, Brown or Ebony Satin
Brazilian Café Lacquer or Ebony Lacquer
Upon Request: Teak wood with Natural Teak finish
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Wood, preferably heartwood; enormous attention to detail but clean-cut lines are an absolute must; finish hallmarked by artisan skills: in one word -Porada. What would appear to be the secret recipe for any article is actually the key factor which has allowed the well-known Italian
manufacturer of furnishing accessories to go international and to be recognized by a huge public.
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D 61
El Lissitzky 1930
For the Hygiene-Exhibition, Dresden 1930
Width: 57
Depth: 49
Height: 73
Seat-height: 44
Armchair,
beech-plywood stained black and blue, back cushion in leather
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A royal armchair made from polyurethane elastic resins with ribbings of different thicknesses. The armchair is made of 3 panels fixed together with nylon pins. Once assembled it is approximately 90 cm wide. 68 cm in deep, and 110 cm high.
The back and the arm are kept in tension by means of elastic rods, the seat cushion is upholstered in capitonné cotton, coming in red. black or yellow. All pieces are unique and variable in terms of colours and shapes: nobody's perfect By the Queen's right side, complementary and opposite stands the King of Nobody.
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The application to design of the principles or comfort gives rise to spectacular results, with an unquestionable visual mpact, like in this model by Josep Lluscâ. Each of its parts has been analysed individually to reach perfect synthesis in the composition, inspired in the figure of the Australian boomerang. The sofa is presented in 2 or 3 seater models and the chair can have castors instead of legs and different arm and back heights depending on the version.
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The collection Guitarra, designed by EStudio Mariscal, is made up of chair, armchair, bench, stool and side-table.
The purpose of this collection is to give warmth, colour and personality to the contract interiors. Curved plywood structure, upholstered or wood laminated, and chrome-coated steel or epoxy lacquered legs.
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Larke armchair and pouf are a fine balance of ergonomics and aesthetics. The frame is shaped steel covered in moulded polyurethanetoam; the revolving base is aluminium painted. Fixed covers.
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High quality leather armchair. Wooden structure and high tecnology resins for a mix of absolute comfort and innovative design.
Great scenographic impact!
Luxus: Italian Idea! Italian Design! Italian Production!
Luxus by I'KI Art&Design
Sara Pivato design
_ design registered _
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High quality leather armchair. High tecnology resins for a mix of comfort, sympathy and innovative design.
RABBIT: Great design and scenographic impact!
RABBIT: Italian Idea! Italian Design! Italian Production!
RABBIT by I'KI Art&Design
Sara Pivato design
_ design registered _
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EX.PILOT Dodo Arslan for spHaus
The EX.PILOT reading armchair looks like something out of a jet cockpit. Its comfortable wrap-around shape makes it perfect for reading. Made of polyurethane foam, EX.PILOT is reinforced with a steel frame resting on a steel four-spoke base finished with scratch-proof coating. The seat can be combined with a matching foot-rest. With valuable finishes, covered in fine hides, its profile is exalted and underlined by contrasting stitching.
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The aluminum supports, placed along both sides of the chair, are machined with the advanced technology of CNC .This process allows to model the aluminum alloy profile with extreme precision. The aluminum is further given an electrochemical treatment to harden the outer surface that gives the alloy more resistance to nicks and scratches as well as a brilliant silver finish.
The mechanical heart of the chair is made up of a rocking mechanism that applies to one’s back, a soft and constant force. This bilateral pressure is obtained by the use of two springs that work in torsion incrementally, therefore transmiting these forces to the lateral supports.
The under-structure is made up of six distinct mechanical parts, all of which are constructed in stainless steel with the highest of mechanical precision in order to avoid creaking
The backrest has an angular movement of thirteen degrees at the end of which a sturdy limiting device blocks over rotation and positions the center of gravity at the base, thus avoiding dangerous inclinations and instability
The extreme strength and dimension of the mechanical parts of this chair are needed because about 50% of the torsional, static, and dynamic loads caused by a person sitting in the chair are directly applied to the structure.
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