Rocking chair.
Year of production: 2006.
Material: rotational-moulded polyethylene. Painted version also available.
Suitable for outdoor use (version not painted).
REA Wing-chair with rotating seat with or without quilt for seat and back. Base frame in polished solid maple, back frame in structural cold-foamed expanded polyurethane and flexible cold-foamed expanded polyurethane and fiber. Seat frame in poplar plywood and padding in non-deformable multi-density expanded polyurethane and fiber. Rear feet with unidirectional wheels and inserts in polished maple veneer. Foot-caps and front feet in nickel-plated metal. Fabric or leather upholstery.
Ergonomic anodic aluminum armchair riveted and pointed on the lamellate-stuck sawn timber sides. Preparing of the file and possible riveted thick leather base.
Structure in steel-tube ø 25 mm. and ø 20 mm. Base chromed or hammered black lacquered. Shell chromed or hammered black lacquered, covered with black, blue or clear PVC wire.
Materials: maple wood frame; upholstered generously -proportioned chair with custom wood detail on backrest;
Available in various wood finishes and custom fabrics.
Smart armchair in bright colours. Compôsed by a special material in cellularstructure called Frame-Foam. Its characteristics are solidity and lightness. Upholstered in Zoe fabric or velvet, as prefabric sample
The "Lounge Chair" ("and Ottoman", 1955) is the only Eames model which deliberately acquiesces to the world of luxury and opulence. Above all, it represents a decisive contribution to the modern design of the '50s, which, freed of the austere geometric forms of the '20s, moved towards more sculpted and organic shapes.
Eames wanted to design a comfortable yet simple armchair, whose frame and upholstery are fused like two hands crossed together. This is the explanation he gave his wife, or at least that's how the story goes. The result fully respects his intentions: the armchair appears to wrap itself around the body like a glove, allowing the user to sink in slowly, just the way Eames intended it. Without in any way minimizing its innovative aspects regarding materials: multi-layered curved rosewood for the three wooden "frames," pressure-cast aluminium (painted black and polished in the upper section) for the five-spoked base.
Permanently on display at MoMA in New York.
see the results for the following category
