|
|
Big Irony Shelves
131 x 40 x H 131 cm
238 x 40 x H 172 cm
131 x 40 x H 210 cm
Rack. Detachable bent natural sheet steel frame and top. Black phosphatized finish, final fixing with bees’ wax. Shelves in opaline acrylic resin 12 mm thick. Central support with steel cables.
|
|
SHELF X
Bookcase
Design Naoto Fukasawa (2005)
The bookcase can be set up along the wall or in any place mid-room as a partition; its distinguishing feature is the X shaped diagonal that links outer frame and shelves. Enhanced by a high graphic impact, this bookcase made in white acrylic material, gives the impression of having been ‘carved’ from a block of marble. Its preciousness is enhanced by the slenderness of its elements; the design is set off by the partitions of the various levels, whose arrangement parallel to the X diagonals creates a ‘relaxed’ effect, as its designer likes to put it.
|
|
Lalinea
Design Andrea Marcante 2003
Produzione 2003
The home is space, movement, play.
It is the mirror of ourselves, of our frailties, of our desires.
The home is light. Light that glows and illuminates. Light that furnishes.
Lalinea is soft, curious, unobtrusive light. Lalinea is furniture, complement, elegance. It is a sign of light and colour, to be outlined at pleasure - breaking up the uniformity of the surfaces.
Lalinea is a bookshelf system can be used as CD, DVD and Book holder of modular elements that offers the possibility of making up original horizontal or vertical structures, from wall to wall or from floor to ceiling. Different coloured lights can be alternated freely: each module is lit internally by a fluorescent bulb in the tree preferred colours white, blue and green. The external structure is in metal painted with aluminium-coloured epoxy powders. Internal part in satin-finish opaline methacrylate.
|
|
design Luca Nichetto
Complex superimposition of planes, from which irregular alveoluses get born, to hold and onserve. The surface is in contact with light, which breaks and multiplies the object’s imagine. An illuminate movement contradistinguish the structure that the time itself divide and contain.
|
|
|
The regularity of the structure and the lightness of the glass shelf. An empty/full game that represents an harmonic contract between the elements. A pure object, without tinsels, that honestly answers to its function.
|
|
Design: Toyo Ito
Exhibition sculture with 3 or 6 polished laminated stainless steel shelves.
Solid oil-varnished, turned black valnut and alder wood structures, with turns, each at a different angle and a different diameter.
Dimensions:
Width cm 124 - 192 - 124/192
height 3 shelves cm 82
height 6 shelves cm 192
|
|
No 0090
SHELF
114" x 2" x 118"
3SLAB BLACK WALNUT SHELF WITH 3/4" GLASS SHELVES. VARIOUS
FINISHES AVAILABLE.
|
|
Bivision structure, the result of a perfect movement of transparency caused by elements multiplicity. The personal casual logic of volumes produces a dialectic relationship with space. Supercomposes on favour the genuine spontaneity.
|
|
To give shape to dreams. To give physicality and concreteness to the imagination. This is how 30mm comes about. It is an open shelving system, conceived above all to contain books.
For the thousands of worlds and endless forms to which Lagobook can give rise.
The dream as mission. And its realisation.
Do you dream of a wall tree to climb on, to gather your books like precious fruits?
With 30mm you can do it.
Do you dream of a life in colour inside a house in colour and do you think you would like to have all the colour shades in the world in your bookcase?
With Lagobook you can do it. Do you imagine a bookcase that clambers up the wall, falling vertically like dominoes, or that takes on the features of a multicoloured maze?
With 30mm you can do it.
|
|
Lloyd Schwan - 1997
Double-faced partition bookcase composed of joined together cylinders, square compartments. Made of white, red or anthracite macroter lacquered wooden honeycomb.
|
|
|
Shelf in toughened glass and aluminium with electronic fl uorescent light. Available in the IP44 version.
|
|
Babilonia Big Irony
136 x 33 x H 50/78/117 cm
Combinable set of three consoles. Frame and top in bent natural sheet steel. Black phosphatized finish, final fixing with bees’ wax. Felts under the feet.
|
|
Irony Wall Rack
100 x 25 x H 28 cm
160 x 25 x H 28 cm
Wall rack. Bent natural sheet steel frame. Black phosphatized finish, final fixing with bees’ wax.
|
|
The glass inclemency, the wedding between transparency and colour, the shape simplicity.
Space and volume are generated from the glass suspension and the severity of the columns defines the architecture. Absolute.
|
|
in 1!...it can be done!!...All your storage questions answered with one product....CDs, DVDs, magazines, books, folders..all of them can be stored in one place....
materials: laminated plywood
dimensions (h×w×d):
1200*1200*300mm
|
|
People "Free" composition:
the modularity of the storage boxes permit endless solutions for compositions, expressing an extreme creativity.
W 330 H 175 P 65
finishes: hi-gloss lacquer black and american walnut
|
|
|
Numerous Schiffini kitchen models designed by Magistretti in the course of this long relationship have influenced significantly the development of the design of turnishing the kitchen space.
|
|
|
New L&S track system for shelving is not only compact and versatile, but also offers the effi ciency of the new LED HE bars, the flexibility of the low-voltage Minitrack and low consumption. Available with warm or cold light, this system may be used to connect all the new range of L&S products with LED HE.
|
|
|
Modular wall bookcase (each single unit 84,6cm wide), made with white gloss wooden bases; transparent or milk white or fluorescent yellow laminated glass uprights; single or double shelves in sheet steel, available in three widts (12, 26 or 40 cm) to create different sized shelving boxes/spaces. Insertion of double shelf is necessary to fix to wall. White finish for shelf surfaces.
|
|
|
Modular book-case/show-case in trasparent and painted curved glass, 12 mm thick. Standard colours green PMS 379C, Pink PMS 1895C, metal brown PMS 8021C. Protective hardware in stainless steel and silicone rubber. Leg in brushed polished aluminium.
|
|
The design of Mediterranea is inspired by the nautical world; the arch supports the cut glass shelves like the masts of the antique ships that carried the sales.
Mediterranea combines wood and metal in a technological union that brings out the traditional side of man's handwork.
The support braces (as in Rex) make it possible to place the bookcase at different distances from the wall.
Dimensions: 250 cm. high, 270 cm. long, the shelves are 32 cm. deep, but the total space used is about 50 cm.
Variations of the standard composition:
Length adjustment of brackets and shelves for customized inclinations.
Different position of shelves from standard composition.
Height cutting and/or alteration due to lack of room space.
Transparent, tempered glass (instead of sanded as standard).
Space for TV furniture insertion: length adjustment of brackets and shelves for the two lowest shelves.
|
|
Bookshelves 'Natsiq' outdoor.
Lacquered stainless steel and old planks
L230 D70 H200 cm - ref.F115E
In the same collection : high table, high bench, low bench, stool.
|
|
Console 'Hook'
L135 P50 H135 cm - réf. F067/180
Design : Frank LEFEBVRE and Bastien TAILLARD / Textile concept : Yvonne BORJESSON
Lengthened forms, refined lines, reinforced equilibrium. Here, the design highlights the warmth of Arctic white. Cold dances with heat, dazzling laqueur juxtaposes the authenticity of driftwood, delicate fur or immaculate skins. The Blanc de Blanc collection explores opposites, from a very contemporary perspective.
|
|
The inspiration comes from the bookcase of the series entitled "Luigi" or "Do you love me?" designed in 1982 by Gaetano Pesce for Bernini. The name of the collection was a scheme in itself: a friend of Gaetano's and lover of wood was called Luigi. The second pan of the phrase is a question addressed by the designer to his own "fans" that aims to gauge whether the appreciation of his works, for the first time built in wood, has remained such. While tidying up the basement of his house in New York. Pesce came across the original product. Appreciating once more the quality of the project, which he had somehow forgotten about, he decided to set to work on it again, radically overhauling dimensions, materials and finish, creating, in short, something new ... Hence the name "New Luigi".
|
|
The Hive H2
The Hive, by American designer Chris Ferebee, is a new freestanding module shelving system that can be put together in countless combinations. Winning several international awards, The Hive is founded in the innovative technique combining the strength and flexibility of the metal and the warm beautiful finish of the wood. The Hive is made with a solid aluminium core coated with genuine wood. The Hive is available in American walnut treated with organic citrus oil, which enables the wood to breathe. Being a module system, you can start out with only a couple of elements and later add on! The Hive is produced in Denmark by GUBI.
|
|
Bookshelves beechwood natural, black lacquer or white lacquer finish.
The four central shelves are removable.
|
|
L 189 x d 40 x h 187 cm
Solid Chinese elm and veneer. Shelves covered with unrolled bamboo. Mortise and tenon assembly. Stained and varnished finish.
|
|
Wall hanging unit with clear bent glass shelves. The shelves are drilled and are held by an extruded anodized aluminum T-shaped beam, attached to aluminum painted wood brackets and secured to the wall.
Shelves are avilable in various sizes and combinations:
small single shelf (model 1), 2 small shelves side-by-side (model 2), 2 shelves 1 over the other (model 3) and 2 shelves 1 over the other with vertical case with door (model 4).
The aluminum beam can also be used as a shelf.
|
|
|
Collection of consolles made of glued 6 mm. thick tempered glass plates with 45° chamfered edge. The glass plates are opaque white. The consolle is equipped with a neon light in its inside..
|
|
|
A pathway that discovers in conceptual art a new, vital energy. In its material expressivity, in simple art, a search for a style useful for the present. Actualising glass, recovering the luminous solidity of white. To create visual traces, net, delineated, where thickness becomes a cut, a geometry, a fitting. In a fluid play of full and empty spaces, to feel past time flow by, the voice of newly found objects, the image of what is to come.
|
|
|
|
