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Monoblock sofa in moulded polyurethane foam with metal structure included.
The leaping platform, further to the use as an armrest, it can also be loaded up to a maximum eight of 30 kgs.
The final cover cannot be taken off.
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Line of sofas and armchair with steel frame and elastic bands.
Upholstered with cold processed polyurethane foam and steel frame.
Feet in chromed steel tube. The final cover canot be slipped off.
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Monobloc sofa with frame in fiberglass enamelled in RAL colours and back support in chromed steel .
Seat and back in cold processed polyurethane foam.
The final cover can be completely slipped off.
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DESIGN
Marcel Wanders, 2006
PRODUCT INFORMATION
Bottoni.pdf
SPECIFICATIONS
Material: plywood construction, HR foam upholstered (on special request also available in CMHR foam)
Colour: variety of upholstery in kvadrat divina, tonica, hallingdal or your own
Dimensions: 62x301x236cm (hxwxd),
available in left or right orientation measurements
Seating height: 38 cm
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special steel sofa by the English steel artist Ron Arad. A horizontally divided and then deformed truncated cone serves as the base of seat and back. This sofa, 218 cm long, made of a chrome -nickel-steel sheet that is only 1 mm in thickness is made stable by closing all over the open edges of cut.
Dimensions:
Height 97 cm - Width 218 cm - Depth 90 cm
Seat Height approx. 32 cm
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The Robert Ellis designed sofa has foam wrapped seat cushions with throw cushions in feather and seat suspension is elastic web. Leg colour is wenge which can be changed to choice. Available in any suitable cloth or fabric.
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Structure made of flexible polyurethane resin covered with elastic fabrics as per sample collection. Inside the frame a folding bed-net with mattress laid upon and it is easy to take out. On head-sides two adjustables lamps provided with switches offer a pleasant light. Patented
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Compositions and sizes are available on request. Steel frames padded with resilient polyurethane foam. Overlapping curved backs which provide two different seating depths for better comfort. The diagonal cut of the seat cushions is in harmony with the shape of the back cushions.
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Soft seating featuring a blend of levels and heights with a sinuous feel. Inviting and varied shapes. Combinational elements with mixtures that create a curvy continuity. Two comfortable and different sofa ends: a smooth and soft extended reclining area with a wide asymmetric armrest; the other end tapers away from a large cushion with a short and free lateral cuff. The higher seated areas enhance the composition possibilities and diversities that complete the mix and match options. The generous ample sofa backs blend in perfectly with this confident yet harmonious fusion of various parts.
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The sinuous back enables two different sitting positions. The back cushions, which are shaped and cylindrical, give high comfort.
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"Grand Confort, petit modèle"
The "Grand confort" is part of the series of furnishings in tubular steel presented in 1929 at the Salon d'Automne in Paris, which were born from collaboration between Le Corbusier, his cousin Pierre Jeanneret and Charlotte Perriand.
Four independent removable cushions are contained within a metal "basket" structure. The modernist response to the traditional club chair (a supporting structure in wood with external padding attached to it). Maximum comfort, provided with minimal work and use of materials.
The prototype was different from the current model: in 1959 when the production in series began in Zurich, the interior decorator Heidi Weber suggested chrome-plating the structure, giving the cushions a square, formal appearance, and eliminating the spring mechanism in the back legs, which made the chair bend backwards.
Weber was also the one to recommended making sofas, but they were only introduced years later, due to firm opposition from Le Corbusier, who retained that the Grand comfort philosophy was applicable exclusively to armchairs, which meet the needs of individuals, while sofas must meet different requirements, such as, favoring social relationships in a room.
......................Classic Design Italia..................................
100% DESIGN | 100% ORIGINAL | 100% MADE IN ITALY
Classic Design Italia does not have any authorized dealers, agents, or branch sales offices; our classics can be purchased exclusively online (from our website) or offline, through our Customer Service.
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_Divano Ischia cm. 260, tessuto Cristal 4034/13, cat. E. seduta in tessuto Degas/01, cat. B
_Cuscini con bottone 0 cm. 50 in tessuto Cristal 4034/13. cat. E _Cuscino con rose 0 cm. 50 in tessuto Velvet/02. cat. C _Cuscini 0 cm. 50 in tessuto Velvet/02, cat. C _Cuscini cm. 50x30 in tessuto Caravaggio Ivory. cat. D _Poltrona Amalfi in tessuto Degas/01, cat. B _Cuscini Diamante cm. 40x40 in tessuto Degas/01, cat. B
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LE BAMBOLE
Sofa and armchair
Design Mario Bellini (1972)
Designed by Mario Bellini, the Le Bambole collection is a perfectly calibrated, unprecedented combination of materials with different degrees of elasticity. You will find no rigid supports, no traditional armrests, no base frame, no feet and no concession to extra image making. These characteristics earned Le Bambole the “Compasso d’oro” award in 1979.
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Two or three seater linear upholstered sofa, in supple, fluent shapes; the large, enveloping back has an arched, convex profile and the back-support cushion rests against it. The seat, which is gently curved.expands onto ample cushions. A single end, either left or right, completes the sofa: it is a deep, hollowed back, almost like a deckchair, which contains the lengthened seat, the paw-like legs lift it up off the ground and make the whole of the fitted units light: the seat, the back and the arms. The supporting structure is made of steel, the padding is polyurethane and the covers are made of fabrics, leather or microfibre from our collection. Button tufted version.
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Characteristics: Prehistoric spirit of the times has been eternalized in the
sculpturally formed, fossil-like armrests. Tutelar cocoons for traditionconscious
time travelers. Giant sofa: soft and cosy sitting comfort with
giant seat cushion. Sofas + armchairs: classical, sound sitting comfort.
Formation of creases is design-inherent.
Upholstery: Sound wooden structure. Seat giant sofa: metal spring
suspension, seat cushion with a high-quality foam core and a luxurious
composition of small foam rods and quills. Seat sofas + armchair:
metal spring suspension with horizontal "Nosag" + vertical "Bonnell"
spring system, high quality foam shapes, cosy polyester fleece. Back:
elastic straps, back-supporting foam shapes and cosy polyester fleece.
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Characteristics: Asymmetrical, artfully crafted sculptures for
soft & cosy sitting comfort as if on clouds. The design
transcends the right angle proposing bizarre, dynamic
structures for sofas and corner sectionals.
Sectionals: Individual parts stand individually; they may be
connected by metal connectors.
The formation of creases is design-inherent.
Upholstery: sound wooden structure. Seat: complex metal
spring suspension with horizontal "Nosag" + vertical "Bonell"
spring system. Back: elastic straps. Covered on seat and
back by a luxurious, super-soft, long-lasting, multi-layer, madeto-
measure cold foam composition and cosy polyester fleece.
Feet: "18" = black feet, 35 mm high.
Ideal building blocks for artful symmetrical and asymmetrical
sofas, classical corner solutions and giant panorama
sectionals. Solutions for easy as well as complex floor plans.
Asymmetrical inner corners S 154li and S 154re linking
normal sitting depth with over-sized sitting depth sectionals.
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Sofa of great plastic beauty, has been designed with armchair to set. It allows to enjoy different parade rests and great comfort in all of them. It can take pouf turns that it into chaiselounge. Totally desenfundable.
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400 cm x 130 cm x 63.5 cm
velvet seat, leather armrests and steel structure
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Modular System Parnaso, designed by Marconato & Zappa. Frame in multiplex and solid beech, fillings in "mollapiuma" (mix of goose feathers and polyurethane flakes).
Structure and cushions tested for 100,000 strokes, all materials flameproof as per UK FIRA specifics
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Free Form Curved Sofa with Arm
With the sweeping lines for which Vladimir Kagan is renowned this free-form sofa is emblematic of his work. Available with no extended back and arm.
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Vladimir Kagan's all time classic Serpentine Sofa set the trend for a new approach to home furnishing ever since it was first introduced in 1950. Serpentine's free flowing curves liberated the seating from the walls and created an entirely new interior landscape.
Ideal for today's open plan spaces, Serpentine is available in a range of standard sizes or customized to Mr. Kagan's specifications.
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Removable fabric covers. Non-removable leather covers. Wooden structure. Seat cushion with steel springs foamed with differentiated thickness polyurethane.
Structure upholstery and seat cushion with sectioned feathers. Wooden legs.
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Voyager Nest is an extraordinary object designed to create a personal atmosphere and a relaxing space. It is made of a cast aluminum base and a molded TechnoGel cover.
The particular shape of this chaise-longue, allows to seat and to relax in many different positions.
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Both the smaller model (180cm) %u2013 which can be fitted to a second, identical sofa to form a single item (360cm) %u2013 and the longer single model (260cm), emerge from a single padded surface with a deep structural slit that enables folding back to form the backrest and, obviously, a sofa shape. It appears as a fluid shape, a streamlined silhouette, sliding seamlessly from two to three dimensions. The slim metal feet are inserted to create the illusion that the sofa is actually floating on air. The backrest turns into the seat and vice versa, with a fluidity that is also reflected during use, easy and extremely comfortable.
The sofas have been integrated with two coffee tables. A C-shaped one, whose base can slide under the sofa, thus taking the support surface well back compared to the sofa seat and a "floating on air" one. The top is a lacquered wooden cube with a huge central bore: here a round transparent Plexiglas vase is inserted and serves as a table base but also as a container for plants, lamps or other items. In that apparent void there is a concentration of energy that begins to irradiate the entire landscape from here.
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The Caprice Series can be specified in conventional freestanding lounge chair, bariatric chair, settee, and sofa; or in modular elements with connecting tables that provide unlimited configurations. Also available in rockers, recliners, chairbeds and sleeper sofas.
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Mosspink – green living
Design Kati Meyer-Brühl
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Philosophy ATHENA
Contrary to individual pad furniture is the development of a cubic
Pad furniture making box not only a conceptual, but above all also a Heruasforderung by program,
All parts such as cushions, Rückenkissen, side and/or arm partial cushions and underbodies must be so arranged that them with arbitrary arranging of an individual Sitzmöbels perfect, esthetic conditions to always have to each other.
Together with the assigned carrier parts such as feet, bases, border frames or Drehteler the composition must "sit" at the conclusion, convince and inspire proportionally.
With Athena that succeeded to us.
Design + text
Designer: Wolfagang C.R.Mezger, Göppingen
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