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The "SIMON OXLEY" collection features a garden furniture range of rare beauty. With its stylish design, it will enhance any kind of garden, portico or terrace, transforming it into an attractive outdoor living room. Each element is forged from aluminium, a material that has undergone special treatments to make it thoroughly weatherproof and durable. Each item is created with painstaking attention to every detail, and most finished "by hand". They are also maintenance free and extremely versatile. Each product comes with a choice of finishes and colours, and can be complemented with cushions available in an extensive range of water-repellent fabrics.
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LA MANCHA RESIN WEAVE CHAIR
Style No. 80187
34"W 34"D 33"H
23" Arm Height
19" Seat Height
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MALIBU
Manufactured from aluminium tubing and profiles and painted with powdered polyester paint. The removable dining armchair back and seat made form polyester vinyl fabric. The glass tops on the dinning tables are mm thinck. The Huglon fabric cushions have completely removable covers.
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Strandkorb
In Garpa's Strandkorb you will feel as if you were at the seaside. This elegant and comfortable chair will protect you from the wind, too much sun and inquisitive glances. The traditional German beach chair, to be found all over the beaches of the Baltic Sea and the North Sea, has been specially adapted for the garden. Its seat can be lowered quite flat, to make a double recliner for sheltered sunbathing and reading. The chair has a frame of solid teak, combined with a robust, synthetic weave and stainless steel fittings while the elegant Trevira used for the lining, and available in two striped designs, is very hard-wearing, and washable. Easily removable wheels make sure that one can follow the sun without any problem.
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Tight back. Arm Height: 26(66cm) Seat Height: 19(48cm) Comfort Flex seating platform. Standard with Postobello Down cushioning, no option available. Standard with 1 kidney pillow. Standard in #287 Dark Walnut finish. Standard with brass casters on front legs, chrome casters available for no additional charge. Nonogram is available in Oyster or Wheat on inback for an additional charge. Fabric Shown: 7-1347-81 Shown: Oyster Nonogram Ottoman and Chair Slip Cover also available.
SKU: D602-CH
Dimensions: 36W x 42D x 36H
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H9759
Width: 29"
Depth: 34.5"
Height: 40"
Diameter: 0"
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The Armchair can be equipped with a kit of five vibromassagers. The machanism allows to get a beneficial massaging effect fairly distributed along your back, sitting surface and footboard.
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Furnishing elements enriched by refined fabrics, conceived to make the most of the ele gance and style, capable of matching the classic aesthetic standards and the young people's new furnishing requirements.
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The Armchair can be equipped with a kit of five vibromassagers. The machanism allows to get a beneficial massaging effect fairly distributed along your back, sitting surface and footboard.
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J16 is a classic among the many rocking chairs which Hans J. Wegner designed over the years. The chair was introduced by FDB Furniture in 1944 and has been in production ever since. Wegner stresses the importance of freedom of movement and ergonomics in his chair design – features particularly embodied by the rocking chair. To accompany the rocking chair, Wegner designed a footstool, a seat and back cushion as well as a neck support. Both the rocking chair and the footstool sport hand-woven seats in natural paper yarn. Also available in beech and oak - untreated, soap treated or lacquered and black-lacquered oak.
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Beechwood frame and feet, glued, screwed and dowelled. Stretch belts seat and back. Fully upholstered.
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Le Corbusier - "Grand Confort, petit modèle"
The armchair Grand comfort - in the two versions, petit and grand modèle - is part of the series of furnishings in tubular steel presented in 1929 at the Salon d'Automne in Paris, which were born from collaboration between Le Corbusier, his cousin Pierre Jeanneret and Charlotte Perriand.
In line with their views on the themes of proportion and ergonomics, they created the grand modèle for women, who tend to sit with their legs crossed in a diagonal line, and the petit modèle for men, who instead tend to sit straight with their legs open.
The prototype was different from the current model: in 1959 when the production in series began in Zurich, the interior decorator Heidi Weber suggested chrome-plating the structure, giving the cushions a square, formal appearance, and eliminating the spring mechanism in the back legs, which made the chair bend backwards. These changes did, without a doubt, contribute to its commercial success.
A sample of the petite modèle is on display at MoMA in New York.
......................Classic Design Italia..................................
100% DESIGN | 100% ORIGINAL | 100% MADE IN ITALY
Classic Design Italia does not have any authorized dealers, agents, or branch sales offices; our classics can be purchased exclusively online (from our website www.classicdesignitalia.com) or offline, through our Customer Service.
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The "Barcelona Chair" remains the piece most representative of Mies van der Rohe, a true icon of the design of the 1900s.
It was displayed in the German pavilion at the World Exhibition of Barcelona in 1929. Mies placed two armchairs next to each other as thrones for the Spanish royalty during the inaugural ceremony, while stools were provided for the followers of the sovereigns.
In line with the stylistic severity of the author, the form is designed exclusively on the basis of function. The body is only made from a structure of steel bars with leather straps to support the two cushions of the seat and back. It is as simple as it is extraordinary.
All the welding and the finishing are done by hand since the master rejected its production in series. This was a long and complex work: after welding, the structure is buffed for hours to eliminate every imperfection before the chrome plating.
......................Classic Design Italia..................................
100% DESIGN | 100% ORIGINAL | 100% MADE IN ITALY
Classic Design Italia does not have any authorized dealers, agents, or branch sales offices; our classics can be purchased exclusively online (from our website) or offline, through our Customer Service.
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The "Lounge Chair" ("and Ottoman", 1955) is the only Eames model which deliberately acquiesces to the world of luxury and opulence. Above all, it represents a decisive contribution to the modern design of the '50s, which, freed of the austere geometric forms of the '20s, moved towards more sculpted and organic shapes.
Eames wanted to design a comfortable yet simple armchair, whose frame and upholstery are fused like two hands crossed together. This is the explanation he gave his wife, or at least that's how the story goes. The result fully respects his intentions: the armchair appears to wrap itself around the body like a glove, allowing the user to sink in slowly, just the way Eames intended it. Without in any way minimizing its innovative aspects regarding materials: multi-layered curved rosewood for the three wooden "frames," pressure-cast aluminium (painted black and polished in the upper section) for the five-spoked base.
Permanently on display at MoMA in New York.
......................Classic Design Italia..................................
100% DESIGN | 100% ORIGINAL | 100% MADE IN ITALY
Classic Design Italia does not have any authorized dealers, agents, or branch sales offices; our classics can be purchased exclusively online (from our website) or offline, through our Customer Service.
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THE CLASSICAL COLLECTION OFFERS A RANGE AF BEDROOMS IN DIFFERENT STYLES. GEOMETRY AND PURITY OF FORM ARE THE MAIN CHARACTERISTICS OF THIS BIEDERMEIER BEDROOM. IT IS PARTICULAR NOT ONLY I SHAPE BUT ALSO IN THE DETAILS AND FINISH.
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