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The Chillap JR-9080 from our Kamasitra range is a credit to the series it stems from. Never before did one seat offer this many different
positions. With its inherent flexibility, the Chillap JR-9080 is eminently suited to work as well as to relax in.
The moving armpad effortlessly transforms from an armrest into a desk depending on how it is turned. With the convenient wood tablet in place, you will not damage the leather when you put your laptop or a cup of coffee on top when using it as a worktable. And as soon as you have the time to enjoy a spell of carefree relaxation, simply tilt the armpad up and spin the seat around on its swivel base to face the television for an evening of blissful relaxation or suspense.
After all, the adjustable lumbar cushion offers exactly the right kind of support for any type of activity imaginable. In addition, a fixed position model has been developed for the project market, where the arm has been set standard to act as a pad. For both versions, there is a further choice when it comes to foot options, enabling you to choose between a 4-toes foot or a square foot in matt or polished
stainless steel, ensuring the Chillap fits into any type of living environment. In a nutshell, the trim and futuristic Chillap JR-9080 is certain to keep on surprising you every time you take a seat.
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Patricia Urquiola is the designer who best expresses Moroso's vision; she has therefore created the main range of the new Bohemian collection.
She has taken a very original approach to classic capitonné work, giving it a revolutionary modern look. Creating emotions. Patricia's family of products - sofa, bergère, chaise longue, armchair and pouf - have very fluid forms, almost as if they were melting over their frame, creating soft, irregular, enveloping, almost casual lines, where the fabric or leather is fixed to the shell with press-studs.
A classically-shaped sofa appears to be "wearing" a shawl thrown over its shoulders. The capitonné fabric shawl is fixed with press-studs to emphasise the idea of "wearing" an outfit. The seat is covered with various kinds of cushions, fabric layers which alternate technical textiles and faux fur with others inspired by Mongolian rugs. The result is a sophisticated product displaying an almost maniacal research into an extraordinarily rich upholstery which layers different leathers and other materials and mixes cultures and traditions, colours and textile-working techniques. A form of luxury patchwork for a sofa with a nomadic, global spirit. Very contemporary. A modern slant on a classic. This fresh approach was only possible thanks not least to Moroso's manual ability and know-how. As if they were working in a fashion atelier, Moroso's "tailors" treat the fabric with supreme nonchalance, transforming it at will, bringing it to life and giving shape to the designer's vision.
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2Leather
Design: Rodolfo Dordoni
Upholstered swivel armchair and footrest covered with
soft leather. Shell frame in rigid polyurethane foam. Swivel
brushed inox steel base. No-slip rubber feet.
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Revolving base made of aluminum alloy and external seat body made of stiff polyurethane, painted with scratch-resistant embossed finish white or black. Internal seat body upholstery in self-extinguishing polyurethane foam/ Dacron Du Pont. Fixed internal nylon cover. External removable fabric or leather cover.
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The DS -166 from Hugo de Ruiter can justifiably lay claim to being unique and unrepeatable. The original idea was based on an artistic principle, yet without neglect of functionality. The outer form of the armchair has all the quality of a sculpture thanks to its upward tapering lines. This in turn results not from a mere whim of the designer or from the proverbial wet finger held aloft to see which way the wind is blowing. To the contrary: it is the palpable consequence of the inherent laws of ergonomics. What Hugo de Ruiter is attempting to do with the DS-166 is to express the idea of comfort and security through the swell of the armchair#s lines. And it is a security that anyone sitting in the DS-166 feels most profoundly. In figurative terms, his design blends the concepts of guarding and cosseting. The armchair#s swivel-tilt mechanism additionally helps underpin a sense of the lightness of being. In the DS-166, the grande geste of design becomes a harbinger of comfort, while the reduction of its lines imbues this seating with a peerless richness.
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Tok™
Designer: Toshiyuki Kita
Year: 2005
Tok™ is the perfect place for active relaxation. The chair has a fixed angle between the seat and the backrest. Independent of your sitting position, the recliner will always support your body properly whilst providing support for your arms.
You may recline without slipping forwards or backwards – the movement is in the tilting mechanism, and not between seat and back Furthermore, the organic shape offers many different reclining positions inside the chair.
By using the footrest, a change of position is done effortlessly
The neckrest may be adjusted both horisontally and vertically, thus providing different positions for reading, sleeping, watching TV, etc.
The neckrest is convex, thus enabling greater support for neck and head
Suited for hotel lobbies, reception areas, or relax areas at SPA-facilities, as well as in private homes
Technical information:
Wood shell and base: Natural beech, oak or walnut, black or mocca stained beech
A variety of fabrics, leather and colours
Optional: Fully tiltable and height adjustable neck rest
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Design Busnelli_Lab
Frame in solid wood, multilayer and agglomerate wood, spring system with elastic belts, padding in CFC-free non-deformable polyurethane foam in differentiated thicknesses and 100% polyester fibre. Seat cushions in selected and sterilized 70% goose feather and 30% duck feather (label Assopiuma) with a supporting heart of CFC-free non-deformable polyurethane foam and covers in fabric 100 % cotton. As alternative, seat cushions available also in CFC-free non-deformable polyurethane foam and 100% polyester fibre. Feet are in turned wood, mahogany dyed, with wheels or brass tips. Completely removable-covers except for leather version.
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Leather armchairs
