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"GLOBULUS"
Ergonomic anodic aluminum armchair riveted and pointed on the lamellate-stuck sawn timber sides. Preparing of the file and possible riveted thick leather base.
To coordinate with the convenient Dolmen! |
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Downtown
Creation Pascal Mourgue |
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Armchair Lido in "Lelièvre" velvet, gilded bronze feet;cartisanne in gilded ceramic RAKU
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REA Wing-chair with rotating seat with or without quilt for seat and back. Base frame in polished solid maple, back frame in structural cold-foamed expanded polyurethane and flexible cold-foamed expanded polyurethane and fiber. Seat frame in poplar plywood and padding in non-deformable multi-density expanded polyurethane and fiber. Rear feet with unidirectional wheels and inserts in polished maple veneer. Foot-caps and front feet in nickel-plated metal. Fabric or leather upholstery.
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Model Number 1013
Designer Studio 65
Date of Design 2004
Like Bocca, this sweet one-seater is made of soft resin for use indoors and out.
Model Description
Molded one-seater appropriate for indoor/outdoor institutional and residential use.
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Rocking chair.
Year of production: 2006.
Material: rotational-moulded polyethylene. Painted version also available.
Suitable for outdoor use (version not painted).
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i'm dreaming
design Dominic Symons
"A functional seat in all its simplicity imbued with sensuality."
Seat shell: one-piece seat shell in double-walled rotomolded polyethylene
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Cell | Easy chair
Designer : Anon pairot
Dimension : L95 x W70 x H66 cm. ( H seat 40 cm.)
Material : Bronze or aluminum casting |
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Round One
Leif Jørgensen
Hay
A series of upholstered chairs that incorporate geometric and organic themes. They can function alone or be used as modular units.
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| Structure in steel-tube ø 25 mm. and ø 20 mm. Base chromed or hammered black lacquered. Shell chromed or hammered black lacquered, covered with black, blue or clear PVC wire. |
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Intérieurs
Assises : Mousse HR
Dos : Mousse HR
Châssis
Traverses en hêtre massif et panneaux en multiplis de hêtre
Finitions
Châssis : Surpiqûre simple couchée et couture d'assemblage
Pieds : Piétement finition inox
Abscisse
73 x 59 x 56 cm (length x height x depth)
Interiors
Seating : Foam HR
Back : Foam HR
Frame
Cross bar in solid beech wood with beech multiply side panels
Finishes
Frame : Einfache Steppnaht niedergelegt und Verbindungsnaht
Feet : Metal feet stainless steel finishing
Mechanism
Retractable back |
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GIO PL 850
Smart armchair in bright colours. Compôsed by a special material in cellularstructure called Frame-Foam. Its characteristics are solidity and lightness. Upholstered in Zoe fabric or velvet, as prefabric sample |
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Armchair with frame in lacquered ashwood.
Polyrethan foam upholstered seat cushion.
Fabric or leather covering. |
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| Armchair with wooden bended frame upholstered with polyurethan foam. Chromium plated base. Leather or fabric covering. |
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Showtime Poltronas - Outdoor -2006-
Jaime Hayon
Armchair, sofa, back leg and cover made of one piece in Poliethylene of medium density (MDPE). Single poltrona –Armchair-, Single poltrona+cover –Armchair-, and Double poltrona –Sofa- with gloss-lacquered polyethylene in white, beige, yellow, red, aubergine, blue, black or colour customer.
The armchair and the sofa always have interior upholstery in capitone -sewn in rhomboids- in leather in white, beige, yellow, red, aubergine, blue, black, rose and colour customer.
Single poltrona: 79 x 72 x H.95cm
Single poltrona+Cover: 90 x 82 x H.168cm
Double poltrona: 145 x 73 x H.95cm
The most sophisticated Showtime seating. The gloss lacquered armchair with leather upholstery. Single or double. With optional cover for the armchair and the possibility of combining colours according to customer’s taste.
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Leda armchair -1935/37-
Salvador Dalí
Structure of brass by lost-wax casting, made in various parts; which are welded together, forming the structure. The parts have a polished with glossy surface finished.
Seat of brass by lost-wax casting. The parts have a polished with glossy surface finished.
Authenticity details:
Identification plaque (5x1cm) of shiny polished brass with adhesive on one side in which appears engraved: “Sillón Leda, 1935/1937, Salvador Dalí, Bd Ediciones de Diseño and the serial number of the product”.
The plaque is situated in the inferior part of the seat.
Transparent adhesive (5x1cm) with text in black, in which appear the words: “© Salvador Dalí, Fundación Gala-Salvador Dalí, Barcelona 2003 (current edition year).
The adhesive is situated in the inferior part of the seat.
Leda armchair: 60 x 47 x H.92cm; (Seat H.49cm).
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| Armchair 1 seat, total foamed in polyurethane non-deformability, aluminium feet, chromed or silver-grey vernsished steel frame, first quality leather or fire resistent fabrics. |
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Its name is its identity: GIOIOSA!*
Realized by the world famous architect Aldo Cibic (www.cibicpartners.com), GIOIOSA is bubbling over with optimism and joy because of its particular shape and the emotional relationship with the observer.
GIOIOSA is soft, flexuous, fascinating, tempting and surely doesn’t go unnoticed.
It enraptures your mind and heart in wonder through its organic shape; it’s original but not strange; it’s able to mark new atmospheres.
GIOIOSA can be personalized even in a bicoloured version, a wide choice of upholsteries makes it suitable for every circumstances.
GIOIOSA is a lounge chair padded by soft high density expandend polyurethane on a multilayered beechwood (4mm thick); its frame is in chromed high resistance steel or varnished.
*(in Italian Gioiosa means Joyful) |
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"Grand Confort, petit modèle" - the armchair Grand comfort - in the two versions, petit and grand modèle - is part of the series of furnishings in tubular steel presented in 1929 at the Salon d'Automne in Paris, which were born from collaboration between Le Corbusier, his cousin Pierre Jeanneret and Charlotte Perriand.
In line with their views on the themes of proportion and ergonomics, they created the grand modèle for women, who tend to sit with their legs crossed in a diagonal line, and the petit modèle for men, who instead tend to sit straight with their legs open.
The prototype was different from the current model: in 1959 when the production in series began in Zurich, the interior decorator Heidi Weber suggested chrome-plating the structure, giving the cushions a square, formal appearance, and eliminating the spring mechanism in the back legs, which made the chair bend backwards. These changes did, without a doubt, contribute to its commercial success.
A sample of the petite modèle is on display at MoMA in New York. |
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The "Lounge Chair" ("and Ottoman", 1955) is the only Eames model which deliberately acquiesces to the world of luxury and opulence. Above all, it represents a decisive contribution to the modern design of the '50s, which, freed of the austere geometric forms of the '20s, moved towards more sculpted and organic shapes.
Eames wanted to design a comfortable yet simple armchair, whose frame and upholstery are fused like two hands crossed together. This is the explanation he gave his wife, or at least that's how the story goes. The result fully respects his intentions: the armchair appears to wrap itself around the body like a glove, allowing the user to sink in slowly, just the way Eames intended it. Without in any way minimizing its innovative aspects regarding materials: multi-layered curved rosewood for the three wooden "frames," pressure-cast aluminium (painted black and polished in the upper section) for the five-spoked base.
Permanently on display at MoMA in New York. |
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"Barcelona" remains the piece most representative of Mies van der Rohe, a true icon of the design of the 1900s.
It was displayed in the German pavilion at the World Exhibition of Barcelona in 1929. Mies placed two armchairs next to each other as thrones for the Spanish royalty during the inaugural ceremony, while stools were provided for the followers of the sovereigns.
In line with the stylistic severity of the author, the form is designed exclusively on the basis of function. The body is only made from a structure of steel bars with leather straps to support the two cushions of the seat and back. It is as simple as it is extraordinary.
All the welding and the finishing are done by hand since the master rejected its production in series. This was a long and complex work: after welding, the structure is buffed for hours to eliminate every imperfection before the chrome plating. |
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Complementi Collection, Alzè chair
The original shape and small lateral drawers make it
particular and unique, also thanks to elegance and prestige of its leather coverings. |
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FIAM
GHOST
Designer Cini Boeri-Tomu Katayanagi
12 mm thick curved glass
h 68 w 95 d 75 cm
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Designer armchairs
