Wall-mounted mirror KILLA
free-standingcontemporaryround

Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 2
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 3
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 4
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 5
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 6
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 7
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 8
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 9
Wall-mounted mirror - KILLA - Ames design - free-standing / contemporary / round - image - 10
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Characteristics

Type
wall-mounted, free-standing
Style
contemporary
Shape
round, oval
Frame material
galvanised steel, plant fiber
Color
black, blue, green, pink, red
Orientation
vertical
Options
for bedroom
Height

46 cm, 53 cm, 62 cm, 144 cm, 165 cm
(18.11 in, 20.87 in, 24.41 in, 56.69 in, 64.96 in)

Width

34 cm, 47 cm, 61 cm, 62 cm
(13.39 in, 18.5 in, 24.02 in, 24.41 in)

Depth

66 mm, 77 mm, 87 mm, 210 mm
(2.6 in, 3.03 in, 3.43 in, 8.27 in)

Description

The Killa Standing Mirror Large has been designed by Pauline Deltour after she studied the weaving techniques in local Colombian when she visited the country. The tall mirror with its obround shape and basket-like frame, hand-woven with fibres of the Iraca palm, makes a striking accent piece in any bedroom or hallway The mirror is made in the Departamento Nariño in South West Colombia, where working with the natural material Iraca has a long tradition. The preparation of the material takes six days and the weaving of the decorative frame additional six days. Historically, the artesanos weave hats, bags, purses, ornaments and individual one-of-a-kind pieces with the fibres of the palm. The material holds its shape and is very durable. The fibres are dyed using natural methods with seeds, leaves, nuts and roots and some mineral materials are also used to create different colour sections. After the dyeing process, the fibres are drained and need to be left to dry for several days. Only then can the artesanos process the material. With the help of tweezers, needles and tongs, they weave the frame by hand, using different types of stitching Born in France, Pauline Deltour’s aesthetic is defined by being strikingly simple and beautifully detailed at once. Her designs showcase a curiosity in the qualities of the raw materials and transferring production techniques between disciplines. Pauline Deltour joined ames founder Ana Maria Calderón Kayser on a trip to Colombia to study the local materials first hand and learn from the artisans about the traditional weaving techniques.

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*Prices are pre-tax. They exclude delivery charges and customs duties and do not include additional charges for installation or activation options. Prices are indicative only and may vary by country, with changes to the cost of raw materials and exchange rates.