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| Collection privée uses the « best of » the metal effect tendancy. The silk, the velvets and the linen give out gold, copper and silver effects which brings warmth and luxury to the design creating chic and sophisticated interiors. |
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| Fabrics furniture that are perfect for elegant outdoor living. They are light and colour fast, resistant to wear, mildew resistant and durable partners for outdoor use. |
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With Showroom Vol .2 the Dutch designer Marty Lamers continues the success of his first collection and created together with JAB ANSTOETZ a second textile masterpiece with two factors in mind: unconventional design furniture & material compositions.
One of these works of art is ANGLE. A voluminous foam core is placed between two organza design fabric layers. The three components are held together by embroidery in a fixed triangular design. In a last step, every second triangle is removed by hand. The remaining triangles are held only at their three points by the embroidery. A commemoration to Pythagoras' in black or white. |
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| TROJA is a collection which celebrates the play with exotic colours just as perfectly as Scheherazade once told "Tales from the Arabian Nights". The 140cm wide fabrics furniture present rich contrasts, vigorous colours with fabulous designs - a successful mixture of timeless patterns, colours and material compositions which cannot only be used as upholstery fabrics, but also as classic wall coverings and heavy, sumptuous decorations with tassels. |
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width: 54"
repeat: vertical 4", horizontal 3 3/8"
content: 59% rayon, 41% polyester
abrasion: 30,000 double rubs
finishes: latex backing
primary use: upholstery
flammability: california 117, ufac class 1,
nfpa 260 class 1 |
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width: 54"
repeat: vertical 4", horizontal 4 1/2"
content: 40% cotton, 28% nylon,
17% viscose, 15% polyester
abrasion: 100,000 double rubs
primary use: upholstery
flammability: california 117, ufac class 1,
nfpa 260 class 1 |
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width: 55"
repeat: vertical 1 1/2", horizontal 7/8"
content: 65% polyester, 35% viscose
abrasion: 50,000 double rubs
primary use: upholstery, drapery
with fr treatment passes nfpa 701
flammability: california 117, ufac class 1,
nfpa 260 class 1 |
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width: 54"
repeat: vertical 19 1/2", horizontal 9 1/8"
content: 65% cotton, 35% polyester
abrasion: 100,000 double rubs
finishes: acrylic backing, teflon
primary use: upholstery
flammability: california 117, ufac class 1,
nfpa 260 class 1 |
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| Mardi Gras is a celebration of colour and texture, inviting fun and youthful energy into your home. Create a statement with hot pink and turquoise, or a bold scheme with mocha and black. Be inspired with our chunky chenille stripe Flamenco, or our funky geometric Tango. Polka adds a floral element and Samba; a soft plush chenille plain, complements the group. Mardi Gras is fully washable and is ideal for drape and upholstery. |
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Macro
Claire 13954.41 Palacio 13926.609 Mono 13958.827 Vegas 14080.109 Macro 13957.727 Glossy 13956.627 |
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The Miao people of Guizhou province in south-west China are known for their centuries old tradition of elaborate embroideries and decorative textiles - Carly is subtly based on a Miao baby carrier from the 19th century. Beginning with the carrier's elaborate geometric motif, the Donghia Modern design Team has modernized and minimalized it, to get what you see today - a beautiful, modern abstract motif, which retains a sense of its Chinese origins.
CARLY
Content
72% cotton 28% linen, available in 6 colors
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Twists and turns of nature provide ideal scope for winding patterns.
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A fun homage to the Global Guru homeland of Scotland.
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Western Classics are mostly inspired from art movements in Europe and America like pop art and modernism of Spain found in Barcelona, for example. Other influences come from Hawaii and Scotland. This Classic Collection will continue to evolve as Global Guru continues travelling the world.
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An up-to-date art deco inspired design - simplified for the 21st century.
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| The most modern of this season's designs taking influence from contemporary culture, abstarct shapes and the use of simple lines. |
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Inspired by the ultimate paradox of good and evil.
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Simplifying nature's beautiful shapes led to this design.
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| Inspired by trips to Southern Spain and the art and architecture of this area, especially the Alhambra in Granada. |
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